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A rich but jealous man hires a private investigator to kill his cheating wife and her new man. But, when blood is involved, nothing is simple.
Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the s, who cleans up and solves problems for big names and stars in the industry.
But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix. Written by Warren D'Souza.
Folks here complain that it's not a laugh-a-minute farce, that it's not this, that it's not that Just like Allen made a loving pastiche of radio at its height in the s, so have the Coens done for film at the tail end of its Silver Screen era, when studios manipulated its contract players and worked the media to prevent the "unfortunate" aspects from being revealed to an audience that just wanted escapism fantasy.
Josh Brolin is the tightly-wound studio "head of physical production", an enforcer who's being seduced by a potential job with Lockheed to oversee work on the atom bomb.
Before he can come to a decision about whether or not take it, he has to deal with the sudden disappearance of the slightly disconnected-from-reality George Clooney who looks like he's having a blast in this, especially in the final scene of his big budget sword-and-sandel Jesus epic.
It's not about the story, it's about how the Coens are celebrating the films we have perhaps idealized a bit too much: There are so many references to the great films of the day that if you blink, you'll miss a few — they follow fast and furious and sometimes with little more than a sly wink.
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Keep track of everything you watch; tell your friends. Full Cast and Crew. A Hollywood fixer in the s works to keep the studio's stars in line.
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Edit Cast Cast overview, first billed only: Eddie Mannix George Clooney Baird Whitlock Alden Ehrenreich Hobie Doyle Ralph Fiennes Leon of the University of Texas considered this salutation in the Transactions of the American Philological Association in It was recognized in lay and academic writings as a customary salute of gladiators to the emperor.
And yet "there is no other ancient reference to a salute of the gladiators, and in this case it was uttered not by gladiators at all, but by naumachiarii.
The People and the City at the Height of the Empire. Following a review of the source material related to the AD 52 naumachia, Leon observes  that the fighters were not gladiators but were convicted criminals sentenced to death.
Their intended fate was occidioni massacre, or slaughter. The lake had been surrounded with "rafts" to prevent a mass breakout and was surrounded by "the crack soldiers of the praetorian guard, both infantry and cavalry, who were protected by ramparts and equipped with catapults and ballistae, and further reinforced by ships bearing marines ready for action".
He concludes that this was not a formal salute, but in all likelihood an isolated incident of a mass plea for sympathy or mercy by desperate convicted men sentenced to death on a specific occasion, and that.
When he replied "Aut non", they took his words as meaning "aut non morituri" [or not die] and indicating pardon — Suetonius says "quasi venia data" — and refused to fight, but finally yielded either to the entreaties of the Emperor or to force, and fought bravely until the survivors were excused from further slaughter.
My conclusion is, accordingly, that there is no evidence whatever for the much-quoted salute of the gladiators. The only two ancient references, those in Suetonius and in Dio, refer not to gladiators but to naumachiarii, men condemned to die, and even these references are to one specific episode, the circumstances of which indicate that the supposed salute was not even a regular salute of the naumachiarii.
Alan Baker broadly agrees, stating, "There is no evidence that this was common practice among gladiators.
As far as we know, the only time this phrase was used was at an event staged by Claudius. On the other hand, if it was something that Claudius might expect to hear it would more naturally serve in its role as a feed line for his repartee portraying his invincible gaucherie.
Kyle concurs that no other sources record the "supposed gladiator salute" in any other context "and it did not come here from true gladiators".
Treated as a commodity, they were not elite gladiators but captives and criminals doomed to die, who usually fought until all were killed. When the salute or appeal failed, and they were forced to kill one another in earnest, .
He concludes that "[t]he sources remark on the incident, in part, because it was an anomaly in arena practice—a mass Androclean reprieve.
The story was well known in the 20th Century, and indeed appears in George Bernard Shaw 's play Androcles and the Lion immediately before the Christians face the lions as "Hail, Caesar!
Morituri that focused on superheroes who were inevitably going to die, the Adventure Time episode "Morituri Te Salutamus", 'a set of one-act plays of the s by Hermann Sudermann , Joseph Conrad 's canonical novel Heart of Darkness ,  James Joyce's novel Ulysses ,  spoken by the main antagonist, Mr.
Brown, shortly before his death in Agatha Christie's novel The Secret Adversary , as well as mentioned in the epilogue of Christie's book A Caribbean Mystery , in popular music of the s,  as well as music in video games,  in the paper title of peer-reviewed medical research,  in a political maiden speech ,  market commentary during global financial crisis  and in modern art,  fiction,  non-fiction and poetry  related to the Roman period.
They were greeted the customary phrase; which, before subduing him, translated by the affluent Sherman as simply, "He's going to kick our ass!
Lovecraft 's short story "Old Bugs" says a slight modification to this quote, "Ave, Caesar, moriturus te saluto! Written with optional macrons: From Wikipedia, the free encyclopedia.
Divus Claudius , The Routledge Dictionary of Latin Quotations: Tiberius, Caligula, Claudius, Nero. The second oldest manuscript Gudianus was unknown to Roth.
Spectacles of death in ancient Rome. Transactions of the American Philological Association. Lives of the Caesars.
Oxford University Press, The history of science and technology: Daily Life in Ancient Rome: The game of death in ancient Rome: Univ of Wisconsin Press.
Retrieved on 22 May We Who Are About to Die: Old knitter of black wool. Not many of those she looked ever saw her again - not half, by a long way.